The Post-Punk Permutations Of Permafrost Remixes
When bassist Robert Heggdal of Norway’s Permafrost works on remixes for the band, he is influenced by the electronic music…
TEMPTED: Tom Cridland Talks Algorithms, Ambition In Candid Interview
Promoting music is challenging for young artists, to say the least. As Cridland calls himself, an “Artist Without A Label,”…
New Disco: Next Level Electronic dance Music From Belgium’s ‘Minus Ion Re-generation’
It turns out that the music created is rather brilliant. It’s EDM all the way, strong beats and pulsating rhythms.…
The Return Of Slovenia’s Electro-Rock Group Karmakoma
As much as I’ve enjoyed these variations in style, I’m very excited to hear that Karmakoma is set to return…
The Brilliant, Absurd Electro Ska Of Tom Cridland’s ‘The Palm Tree’
By Keith Walsh Ska is a genre that lends itself well to absurdity. From Prince Buster, through Madness to Sublime…
The TOMICKS’ Chillingly Excellent ‘Corporate Psychopath’
By Keith Walsh In England of the 1990s, future rocker Tom Cridland’s mother was given a warning by his grade…
Tom Cridland’s Flirtatious, ‘Sexual’ Tribute To The 1970s
By Keith Walsh British singer/songwriter Tom Cridland switches genres more frequently than most rock and rollers change their socks. Since…
‘When Hardware Had Soul’: A Pre-Midi Approach To Creating Synthpop (With Gab Of Beat Ratio, Part 2)
By Keith Walsh In my previous article with Gab of Beat Ratio, he told me about the creation of his…
Beat Ratio’s Wistful Tribute To Italy, Created With Vintage Synths
By Keith WalshCurating Synthbeat.com gives me the joy of discovering electronic music from around the world and meeting its creators.…
Visiting Mythical Geography With Gilles Snowcat’s Hypnotic ‘Nugu Point’
By Keith Walsh I can always count on the music of Gilles Snowcat to take me to new places. In…